Subway Sect

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We oppose all rock'n'roll
as going down the chute
We oppose the rock'n'roll
That's held you down for so long you can't refuse.

...melodies immersed in a beautiful monotonous dirge. They were different - a sign that punk could be a lot more than the fast sonic assaults of the Pistols, the Damned and the Clash. 
Mark P - 'And God Created Punk'

Above Clash's rehearsal studio Chalk Farm. Below Harlesdon Roxy supporting The Clash. Picture Ian Dickson

Subway Sect were without doubt one of the finest punk bands of the era but you'll never know because they released just two singles over a 2 year period and one John Peel Radio session.

Vic Goddard and guitarist Rob Simmons  started out playing the blues at college in South London before busking in tube stations as makeshift rehearsal venues. Hence their name supposedly after a Hammersmith Subway (they were nearly called the Numb Hearts). Like many others their outlook changed after seeing the Pistols at the Marquee. They loved the image if not the music.

"I thought the Pistols were the end of rock'n'roll ..but...they weren't. Nor were the Clash...We never used ordinary guitars, a Gibson or a Strat: we used Fender Mustangs because they have a trebly, scratchy sound. We became quite purist. Our guitarist refused to allow any macho, rock'n'roll attitude on stage." England's Dreaming P419

"They (Pistols etc) just want to revitalize rock'n'roll whereas we just wanna get rid of it." Zigzag.

The band originally comprised Paul Myers on bass, Robert Simmons and Vic Goddard on Guitar, Paul Packham on Vocals. A reshuffle saw Paul move onto drums and Vic to Vocals. Having been forced to rehearse for 12 hours a day for a week by Malcolm McClaren at Manos in Chelsea they were ready to gig. Their first appearance was the 100 Club Punk Festival with The Clash, Pistols and Damned, to name but a few, on 20.9.76 appearing in stark black as opposed to the sartorial punk finery of the main protagonists. 

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Top Picture by Erica Echenberg
Bottom Picture by Ray Stevenson