Chiswick Records - Making It

 Home >> Features >> Chiswick >> Making It 

Like Lee Woods of Raw records you started with a stall / record shop. What made you make the leap to starting a record label ?
I think more than anything we were inspired by the people who ran independent record labels in the US from the 40s to the 60s - King, Stax, Sun, Aladdin. Imperial etc etc. Ted and I were sold on the romance of making a record and just selling it however it could be sold. Ted would drive around in his battered Peugeot selling records out of the trunk to shops on our first release – The Count Bishops EP (Speedball 976). There had been very few British independent labels before us. There was Island and Virgin run by guys who were well off from the start, and there was RAK and UK run by successful producers, but not much in the way of a street based operation with absolutely no money. As the Desperate Bicycle’s first single said – ‘It was easy it was cheap go and do it’. I think that up to then everyone had assumed that making and pressing a record required a lot of money, whereas the truth has always been that promoting a record into the charts is the thing that costs money.

Count Bishops - Speedball
Chiswicks fist single

If in doubt..get a scantily clad woman out! 
Radio Stars - Dirty Pictures

4 different sleeves and some coloured vinyl for the Damned's Love Song. It was a smasheroo!

Lastly. Lee Wood said he never understood basically the freebie side of the business & promotion . How did you find this running a small label ? What sort of promotion did you give singles ?

Well we used it to full advantage I think. We were among the first to use coloured vinyl and invented the multiple picture sleeve with the four Damned shots on Love Song . Basically you had to give records away to the chart return shops to make sure that they had them in stock. Then a team of housewives would go in and buy them up. Friendly dealers might be encouraged to put in the extra sales in exchange for a consideration. It was all dreadfully corrupt, but at least everyone was being dreadfully corrupt. It was viewed as a bit of a game. I would say however that you couldn’t hype an absolute turkey and make it stick. The record had to have some appeal to some section of the populace or the act had to have a genuine following. It was not unknown to co-opt fan clubs into buying up singles from chart shops.

What was your best selling punk single and worst ?
Best selling punk single was probably Love Song and I haven’t a clue what the worst seller was. Somewhere in the bowels of the accounts the figure is there. Punk sold pretty well, it was some of the pop stuff we did that turkied out.

In the early ‘80s we got out of the pop end of things. Partly we didn’t have a clue about the kind of records that were becoming hits and partly the introduction of the video seemed to really up the cost of hyping to beyond a joke. It got to the point where you would lose money on even a hit single and just hoped to sell enough albums or break the act in America. Really the odds lengthened at that point and we retired to re-issue land where we have been happily ever since.

 Back To Top