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"The
idea was to be desirable, feminine, and vulnerable, but a resilient, tenacious
wit...rather than poor female sapped of her strength by hearthrob.." Debbie
Harry 'Making Tracks'. Victor Bockris |
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A total mass of contradictions revolving around Deborah Harry & Chris
Stein. Debbie was an ex junkie, sex maniac and Playboy bunny who hooked
up with Stein photographer and musician and boyfriend. An intelligent pair who just wanted to make snappy
pop they became part of the early seventies US Punk scene of
close
knit bands that included The Ramones, Television and the Heartbreakers etc.
By 1977 they had been
plugging away for 5 years as the band least likely to succeed. Success came
as media attention focused on the incredibly photogenic Ms Harry normally in
something revealing, available and as a baby doll coupled with such
gloriously poppy songs as 'Denis'. The initial adverts (as right) portrayed
Debbie as available and virtually asked the question 'Wouldn't you like
to fuck her ? and not very subtly at that ! |
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Realising that there was an acceptable face of
punk to be marketed the band were put with our old friend producer Chapman
who did the business and helped them give the world 'Parallel
Lines'. With
America scared of the new
wave it was left to the UK to take them to their hearts and give them the start
of their success. Another excellent album 'Eat To The Beat' followed but rising internal band
tension and anger at the focus on Ms Harry ( the badges said 'Blondie is a
group') meant the band was in a downward spiral finally ending with the poor
album 'The Hunter'.
For a brief period Blondie were sheer pop punk
perfection. Glorious
tunes sung by an irresistibly horny lead singer and I defy anyone to watch
the video to 'Denis'
and not be moved. The band had certainly moved on from those early days to the mature
sounding 'Union City Blues' and the innovative 'Rapture'. Crap contracts,
dissension and balls ups ago go meant the band were dysfunctional from day one
held together only by Ms Harry's looks. Thing was Debbie and Chris were
caught in an age old trap. Success had eluded them and when they got it it was
on the record companies terms as a sexy blonde and in the end I think they just
didn't want it...there was more to life. There was a lot more to Debbie
than blonde hair.... as an actress, writer etc but their time was up in
Blondie. Years later Madonna would travel the same route but with a
greater hunger . Rather than a role model a lesson to all bands of what can
happen and placed midway between Quatro & The Runaways and the new charge of
The Slits and Siouxsie who definitely not were going to be dictated to.
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Debbie,
Suzi Quatro & Joan Jett |
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Chrissie
Hynde, Pauline Black, Debbie, Poly Styrene, Viv Albertine and Siouxsie.
What a picture ! |
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