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Although we might have seemed like late starters, our punk
rock moment had been and gone three years previously
with The New York Dolls first album - no way would we be
chasing 'round after another London version or intruding
into somebody else's fashionable scene! I was content to be
the pike in the ducking pond until reports from C.B.G.B's in
the (then) great N.M.E. had me going again - if there was
enough out there for The Ramones nothing was gonna stop me
having a go.
The pub band I was in had run it's course, I failed to
impress at auditions for The Count Bishops and The Motors,
then it began to fall together round me - I jammed with a
bass player who sort of knew a drummer and my "girlfren" was
big on Blondie. Before we even knew it, we were the garage
band from hell and we were playing on the back of a truck
for Jubilee Day! The guy on the drums didn't stick around
long enough to help us claw out a place upstairs at The
Railway Hotel in Southend, alternating with Savage and
Sliver on Thursday nights. So when Joe (Jaguar) sat in
behind the kit with Nick (bass), Jane (retro organ/vox) and
yours truly (guitar/vox) we had a set of sorts with seven or
eight originals and mixed in with "96 Tears", "Pills" and
"Rip 'er To Shreds".
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Above photo of
Chad and I reasoning with "the old bill" after the plugs had
been pulled on The Steve Hooker Band when we played on the roof
of Nasty's (punk boutique). Photo was taken on 4.8.79 |
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We didn't have any success locally outside of The Railway -
no other venue would touch a band like us, our
Saturday lunch time slot booked in at the Palace Theatre was
even cancelled before we had a chance to step on stage and
prove how ugly it could get. However, time (like the song
says) was on our side, mail order boss Trevor (of Dirty
Dicks Records) fancied releasing a punk record and there we
were, Wilko Johnson no longer licking his wounds from the
bust up with Doctor Feelgood wanted us as support for his 22
date Uk tour too!
Feeling like a bunch of stragglers, with both halves of the
rhythm section sticking with their own hard rock and punk
outfits, a shake up was inevitable. Rob - "The
Hustler" from an early version of Eddie And The Hot Rods
(bass) and Dave (drums) came in time to record our EP at
Spectrum Studio. The news of our "recording deal" brought
out the usual curiosity seekers which seemed to discourage
the new guys and brought Joe back drumming with his pal
Clark Kent helping out on bass for the tour. As I've said
elsewhere most of our sleaze and rock 'n' roll fantasies
came to life between Liverpool Erics, two nights at
Birmingham Barbarellas, Dingwalls Dancehall, The Hope and
Anchor, The Nashville Rooms and Aylesbury Friars then it was
Christmas 1977!
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Back in Southend with no home phone, no management and
hardly a hint of any major record company interest we were
still convinced we could crack it even though tighter, more
marketable bands calling themselves "new wave" or "power
pop" had learnt by our mistakes. Joe, who had gone back to
his day job as a cellarman at Liverpool Street could get in
to town after work and knocked on a few doors for us. One of
these expeditions bore fruit - or a windfall more precisely
with a date at the (by now) run down Roxy club in Covent
Garden for 15 quid plus the non negotiable proviso that we
could not appear as The Heat to avoid confusion with a newer
London band. Hastily re christened The Steve Hooker Band we
took to the low and dirty stage with our mate Dickie,
somebody's bird and our two top rock chick fans from Brum in
tow, then mid raunch between "Little Queenie" and "Let's
Dance" the manager flew on with his safari suit
enlightening us that it was "rockenroll" we were playing and
shoo'ed us off!
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Bravely reverting to our original name, several line up
changes saw us through Woodlands Basildon, Bardots Canvey,
The Van Gough and The Shrimpers before recording and gigging
as The Mystery Girls, The Vampire Lovers and The Steve
Hooker Band again. After a break in 1981 I formed The
Shakers and played subsequently with Boz And The Bozmen,
then Rumble - I guess I'll be cranking out for a while to
go!
Steve Hooker. Southchurch, Essex 2007.
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The Heat at the Roxy Club... We had supported
Wilko Johnson on his first post Feelgoods UK tour and
released our ep on local independent takeaway
records. We woke up to the reality that we needed to
book some dates and studio time ourselves if we were
to continue since lady luck had turned her attention
elsewhere. As our drummer Joe worked in the cellar
at the great eastern hotel Liverpool Street and had
socialised a bit in the early punk period he was
delegated to knock on a few doors.
The Roxy Club although past it's happening phase
was on our list.
First he hit us with the good news - he had taken
our record there at lunchtime and booked us in
HEADLINING and that we would be
paid (an unusual courtesy we discovered) £15.00
expenses. However there was one condition, we had
to change our name! Another "connected" band from
London called the Heat was playing there the week
before and under no circumstance would our booking
be honoured with our usual tag. After Joe (who had a
sense of humour) convinced us that the Sex Pistols
and Johnny Thunders played under assumed names so we
would be in good company we agreed to be billed as
the Steve Hooker Band.
We even
played in Southend three weeks before using the same
moniker as a warm up.
On arrival we were given the kind of cold shoulder
normally reserved for support acts. We were charged
admission for Joe's mate and somebody's girlfriend
because we were only allowed one guest and that
would have to be our roadie, then interrogated by
Kevin who had arranged the gig with Joe as to why he
had given us a headline slot and agreed to pay us!
It was a mystery to me, as we might have been happy
to have played for the privilege of being there with
a name act but not someone you never heard of and
someone you never heard of had a nightly residency
by then! We were duly introduced to the other two
bands booked to open for us -
the Features
(fresh faced lads with a Keith fixation - a
contradiction in itself) and
Bad News
(who had supported Bernie Torme at the Marquee and
wanted the world to know it). Then Kevin hit us with
the sucker punch - we couldn't headline. Another
band who were it seemed friends of his were to
be the main act. They were
Handbag
- a gay trio specialising in Ziggy era Bowie covers,
all cropped hair, whale herders, leather jackets,
rolled up jeans and boots - YMCA drag before it
was invented. A good band but not what one would
have expected in London's top punk nighterie!
So we sound checked to even more abuse for having
cheap amps and a old drum kit, Bad News did their
thing, the Features threw their shapes through
"happy" and other "exiles" type pieces then we
were shooed onstage. I wouldn't say our shambling
rhythm 'n' blues inspired more than mild curiosity
except from the two red headed Brummie rock chicks
who had followed us from the Wilko tour and a couple
of junior skinheads that called out stuff during the
first two songs, getting the point soon enough that
we were used to much
worse where were came from and didn't care. Half way
through the set we played Chuck's
"Little Queenie" - that's when
I noticed Kevin at
the side of the stage in his white Travolta suit
looking agitated though he had taken little notice
of us up till then. A couple of songs later, wanting
to take it up a bit for the "finale" we did
"let's dance" which was well known at the
that time from the Ramones cover. Everything seemed
to be going well - no hint of a bad atmosphere, then
Kevin stepped onto the stage and told me, "you're
playing rock 'n' roll - you'll have to stop". There
wasn't any riot and the people who came to see us and
the club regulars all seemed to find it odd.
As Kevin didn't seem to want to speak to me or deal
with me, Joe who had after all negotiated the date
followed him down to his office and after fifteen or
twenty minutes of haggling came back with our
fifteen quid minus the admission for his mate and
the other bloke's bird. It tickles me to tell my
rockabilly buddies how we were booted out of the
famous London punk club for playing a
Chuck
Berry tune!
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