Security Risk

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 Security Risk Part 2 | Cash Pussies | Women In Punk  

Jan Parker - Security Risk. The band formed beginning of 78, we met under The Eros in Piccadilly. The boys were all nineteen and I was eighteen. Our first gig was a Rock Against Racism street party in Stockwell a few weeks later. We played on the back of a lorry as support to The Subs.

The band was named after the heavy handedness of bouncers who used to beat merry shit out of fans at gigs back then, and in particular reference to the near riot that occurred at a clash gig in 1977, where fans ripped out the seats and trashed the venue after some ruction with the security guys at the gig.

This was a first band venture for all of us except Chris who was always in several bands. We were heavily influenced by Blondie, X-ray Spex, Siouxsie, Penetration and later the Rezillos. We loved the Clash, The Damned and The Subs. We were really pop/punk and were happiest trashing old sixties s covers. Bobby’s Girl was a favourite with the Whitton crew fans.

Jan Parker: vocals
Tony Conway: guitar
Andy Godfrey: Bass
Paul Kent: Drums
Chris (?): keyboards (he joined a year later)

Personally, I got into Punk whilst hanging out at The Lacy Lady nightclub in Ilford. It seems that everyone that went there become someone in the media. (I was a good friend with the Kemp brothers in 75 and 76. they went every Friday and Saturday night). We were listening to soul and funk at the club but throwing ourselves around and wearing ripped up clothes back in 75.We were deeply interested in anything ‘alternative’ (we loved the programme ‘The Prisoner’ but there was no music to go with what we were feeling, until, in (I think) late 76 The Dammed played their first gig at the Lacy Lady. We were all completely blown away.

Songs I remember from our set were Action Man, Deep Freeze, Sign Us Up, Hypocrite, Last Train at Night, Hanging Around, White Christmas (all year round), The whole of the then current UK Subs set, Bobby’s Girl, Flying Saucer Attack (Rezillos)

We never made a record because the deals we were offered at the time were all a rip off and I wouldn’t sign up for a one percent cut. Even the majors were ripping people off and we were hanging out for a proper deal. We toyed with the idea of recording our own record but we were all on the dole and broke. Also at about that time there was a flood of independently released stuff by bands and I remember that the Indie record distribution market fell to bits, leaving bands with thousands of records in suitcases to take to the dump!

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Images courtesy of Mick Mercer