Raped Interview 2000

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 Interview Part 2Raped  

So here we go then...the story of Raped in the words of its founder Faebhean Kwest. Some interesting points of view and assertions here. make of them as you will. Now Rape me scrape me  Mr Q!!!

 Prior to the punk scene I'd been in a rockabilly group (bit like the Stray Cats) years before Rockabilly was popular, and had played in various venues, including a strip club in Soho - in which the first night I was told by the owner that I could have whatever I liked to drink or eat and could fuck any of the (very ropey!) girls but I mustn't chew gum in the place - as it was a "most respectable establishment see"!   I knew a lot of the crowd in the King's Road, (as I lived very near ) who eventually became punks, early names like Johnny Rotten Johnny Diahorrea (now that's a name!), Jack Stafford (who joined X-Ray Spex as their guitarist), Dave Sylvian - later in Japan, Marco Pirroni - later Adam and the Ants and a host of others so I was in the right place at the right time - 1976 and an unswinging London.. I had previously been in a group called Swank which was Swankers shortened down...the original name of the pistols.! Gary Olsen (originally Gary Grant) the singer died recently - he was the fat fellow in the British TV sit-com' "Unit 4 + 2" formed it with me as guitarist.
 

It could have been the Pistols with Faebhean !!

"According to McLaren they got some incredibly funny mad kids,' One was called Fabian Quest and he turned his head to the wall as he tried to play guitar. When they came to do the audition, they suddenly realised that they were at least better than this guy."

Jon Savage 'Englands Dreaming' Page 125

 I had originally been asked to the audition for the Pistols with Steve New (of the Rich Kids), and we both walked out of the audition saying what a load of tripe they / it was! Malcolm McLaren never forgave me for saying no, as I had auditioned with short bleached hair, red drainpipe trousers, winklepickers, and a battered old Telecaster, plus my heroes were people like Johnny Thunders, MC5 Link Wray - in an era (1975/76) when every other person had long wavy hair, flared jeans and wanted to be in Jethro Tull or The Moody Blues!! He thought I would have been exactly right and he couldn't handle the idea of someone turning the great Malcolm down!  Hence, him saying such snide things about me in the magazines and papers / books (I can send you photocopies if wanted). Particularly venomous was Jon Savage who did a book called "England's Dreaming" in which he got the facts all wrong on purpose and didn't even spell my name right! (But this was because me and a couple of other lads would not sleep with him - tired old poof!). Although later I got to know Johnny Rotten fairly well ( I once gave him a pet rat for his birthday which he proceeded to lose in a taxi and I had to rescue it with the cabbie screaming that a spell in the army would do us both good and John monotonously intoning that he was a cretin - hahh- one doesn't have that sort of erudite and urbane wit anymore!!!);  the only one of the Pistols  I have really had anything to do with is Glen Matlock, who's quite sweet and the only musical member of the whole charade.   
 
I then left Swank as it was too grey a band with members only wanting to play locally, and formed a punk group called originally the Solicitors, but that was such a dreadful name that me and Sean (from a Melody Maker Ad), called it the most offensive name we could think of (Raped!).  When we auditioned Paddy he thought he was joining a group like Kiss or Eddie and the Hot Rods! Tony - the bass player - joined from Melody Maker (as did the others) having been the last bass player with Steppenwolf...we did not dare tell anyone at the time that! we'd have been lynched! we were supposed to hate that sort of music!   We rehearsed in a lunatic asylum in Notting Hill - that figures! we were as nutty as most of the inmates! I used to live in a flat off Gloucester Road, Southwest London, with Roz Davies and Colm - original runners of the T.Rex Fan Club, who'd known Marc Bolan for donkey's years, before he'd even had singles or records out (he used to work in a Wimpeys in Hackney - bet you didn't know that!  apparently he said he was a very good burger maker!!).  Hence, us getting to know Marc B. When we said that we would like to do a '3-chord wonder' as a song and that all the good songs seemed to have been done(!!) Marc gave me a tape of him, David Bowie and Gloria Jones 'fucking about' in a hotel room singing ideas and bouncing song bits at each other. It is truly dreadful but me and Sean took a few of the numbers, polished them and hence - the single  Madman (released 1978). Marc Bolan was brilliant, he was tiny, about 5'3" and very up-front but a real sweetheart and very loveable with it. He'd just lost loads of weight and was looking great and who knows what might have occurred If Marc hadn't been killed in a car crash, he was going to manage us as he absolutely loved us -along with managing (or so he said) Generation X, and The Damned. He was going to form a Production Company with D.Bowie...  Marc was the one who coined the phrase that we were Peacock Punks or glam-punks! (we were already using the name Cuddly Toys privately and changed to it properly in 1978 -We had decided to change the name when concert halls  just wouldn't put us on! and John Peel ( the DJ) and Bill Grundy( the man on the notorious Sex Pistol TV interview) suggested that we give ourselves the silliest name we could think off - you should have heard some of the names we came up with!  We were at one point going to call ourselves Oasis !!! - now there's a thought...and in 1978 as well!  ),  A lot of the groups that we did like and get on with - such as Psychedelic Furs, Banshees, etc we used to socialize with but most of the average punk groups around after mid-1977 were very straight and thought we were too anti-establishment! (the biters bit!!!) :  some of them were so normal it was like playing a gig with your dad!  We played one gig with a so-called punk group who asked us to please say onstage that they were not connected with us, as they didn't like the idea that me and Sean had eyeshadow on! (nice colour too!). We used to hang around with bands such as Gen X- a bit, because we were all from the same crowd,  (Sean went out with Josie Munns  - Dave Vanian's ex-girlfriend, and I still see Dave about occasionally  at classic 'bike meets - we're both nutty about pre'1960's motorcycles! - he's a smashing fellow !). .  Before 1977 the 1975-76 punk scene was very outrageous and a lot of the more glamourous and adventurous punk crowd actually became the New Romantic originators, that's why we (C.Toys) used to know bands like Duran, Culture Club, Adam & The Ants, etc.  Oddly enough, a lot of the two-tone crowd liked us (Madness, Modettes, Selector, etc) and we were asked to go on the bill of quite a few bands who seemed almost at askance with us.

Raped heading towards the more glammy Cuddly Toys

 The hatred that the English press had for us was quite amazing, we actually for a time became a band that the press loved to hate. but that's the insular, class-conscious snide Limey music press for you! We were never prophets in our own country but other people's liked us from outside the UK.   Quite a few of the major companies chased us, and we were going to sign to Casablanca, and another company (who's name escapes me) who had the band Angel on the racks except that the man who was going to sign us suddenly went very strange, gave up his job and became a Hare Krishna! (hope they never blame us). We turned a couple of companies down as they wanted us to change so dramatically or they just wanted Sean...we eventually signed with Techiku in Japan (a label a bit like Decca - old-fashioned ), as they promised us complete artistic control(huh!).  Incidentally, before I forget, we did a half hour video for Japanese and American television which was released in some states and in Japan in which we used the film set of Alien just before the film came out and the two lads who directed us were responsible for quite a few of the major video milestones of the '80's.   The clothes came from the fact that we always wanted in fact to be rock-and-rollers rather than punks  - we were much better than the average punk group (and better looking...meow!)...Sean wanted to be David Bowie, Tony wanted to be John Entwistle, Paddy would have loved to have been in Sweet or New York Dolls, and I wanted to be in Led Zeppelin or be Johnny Winter! - that's why I did my hair bleached white - to try and be an albino!   Most places actually loved it - the clothes, attitude, it was almost pantomime, or urchins who'd raided the trunks and suitcases of a great house of the 18th century and ended up in a masquerade instead of the chamber orchestra. The main reason why we got a Japanese following/record deal was due to the strong 'glamorous' image. We really were a glam-punk group such as Adam and the Ants, and the very early N.Romantic's.

Paddy and Wayne ..two for the chop later ...gedditt !!!!!

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