The Shanne Bradley Interview 26/8/2001

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 The Nipple Erectors 

Shanne was an early fan of the Pistols and face on the punk scene round the Roxy etc. A one time beau of Johnny Rotten he wrote the song Satellite about her (tho whether that is a good thing or not is debatable). What's not debatable was that she is a bit of an unsung hero always tending to get overshadowed by Shane. Founder of the Nipple Erectors and an extremely competent musician  she deserves more credit. Later she was in The Men They Couldn't Hang and still is involved in the music business.   So Shanne all the best to you and thanks for  answering the questions so fully.. Its a corker of an interview with loads of interesting little facts and memories. 

1) What was the first music you got into and who were your musical heroes ??
Ah YES!
The sounds of the womb
childhood
A cup of tea with Shanne Bradley
 ken dodd's 'Happiness' my first record or was it 'mother goose' read by boris karloff and others, that still scares me todayDoris day 'Move over darlin'? a memory playing  moose piano music it was the 60's we lived in Ware in a new house surrounded by other new houses built in 1960 For all my mothers wild parties, the house was emptied all the furniture went on the lawn, i made a bed in the cardboard boxes on the sofa, it rained. she had a huge gramophone player stacked with singles that automatically dropped down, mega bass that filled your bones and ricochetted around the yellow hessian walls 70's loved slade and then in about 73 or 4  saw david bowie and the spiders from mars at harlow playhouse(still have the ticket stub for that one!) i was converted -mick ronson (sadly deceased) is still a guitar hero of mine - i was completely thrilled to meet him once as a prospective producer during the 80's when i played in the men they couldn't hang..he had the most erotic handshake! if you listen to some recordings from that 'spiders' time he sounds so 'punk' So I went to every rock gig i could get into and loved it, saw all kinds bands the faces,thin lizzy.hawkwind, Elton,Devo,E.LP., pink Floyd , the who. lou reed. and one night i went to see status quo at imperial college london and who was the support band? the new york dolls. so noo york flashy,loud n' trashy in 3 minutes they'd emptied the hall of long haired science stiudents billy Doll (drummer)died the next day
and then....
 
2) How did you get into punk and why ??
IT HAPPENED!
SYNCHRONICITY!
i happened to be at st albans school of art age 16- 18  doing a foundation course  and guess what the sex pistols gate crashed an event, they were so bad i thought it was a kind of ironic take on the 60's and enjoyed it.. we danced and mucked around just happened to be wearing an old ladies salmon pink corset from oxfam ,holster with 2 guns, ripped tights,outsize  ice skating boots and just happened to have bright oranget home butchered hair due to a henna/peroxide chemical reaction .was chatted up by johnny he made me laugh with his hairy mohair jumper from sex, was told i should meet jordan and visit the shop was given the managers number and after that went to most of their gigs , even booked a couple more at st albans, malcolm and vivian's talk at the i.c.a. i remember,  friends, phone calls and then theres all the rest. theres so much.....personal stuff, dissatisfaction with everything, art
 
3) You were in at the start of punk when it was very small. In retrospect it seems very cliquey with the Bromley Contingent  and seditionaries crowd and the fans ??  Was this so ?? What did you make of people like Jordan, Siouxsie and Sue Catwoman having profiles as big as the bands  ??
Sometimes after gigs  i used to stay with malcolm's friend helen who is a dwarf artist in bell street she used to wear outrageous outfits tell outrageous stories show me unfinished porrtaits and prepare clear cabbage soup.she had such alot to do with the beginnings of it all the malcolm maclaren scene having been at goldsmiths art school with him and in a close relationship, i read a book she gave me concerning gentlemen well it had gentlemen in the title..it was about unemployed youth  and  the beginnings of street youth culture/rebellion  teddyboys/ skins etc Helen should have more of a profile about her thoughts and activities.at least some women have profiles the so called Punk sceneit was cliquey sometimes but i didnt get involved with that bollocks.times were exciting and there seemed to be so many earnestly crazed people to meet, Jordan was always very humourous and nice to me. i see sue catwoman from time to time she was at the screen on the green last year for the filth and the fury which i think is a very good film it gives a very accurate description of the sex pistols and englands dreaming also there is a classic piece of footage dug up of myself and shane singing anarchy for the u.k. in a towerblock on the west way.NNote: he gets a name check i do not- marcia farquhar (artist )made a comment to julian temple about this outside the cinema -women are often the footnote to men ,so as far as i am concerned women with profiles brilliant! the punkwoman fatale profiles are all part of todaze mythology about those times.but i dont think these women have profiles as large as the sex pistols...ha ha
 
 
4)How important was fashion to punk ??? How important was Mclaren and his shop  ?? What were your favourite clothes at the time  ?? How did the general public react to you ??
fashion or anti fashion was essential to punks identity..infact i went to st martins art school to study antifashion after malcolm maclaren showing me round sex.only lasted a term should have done fine art but institutions seemed like dinosaurs
 
 5)) How did you become a musician and why the bass ?? Why do women seem to choose the bass ???
i got chucked outa art school due to the fact i was always going to gigs or spending all my time living it the bass had 4 strings and the guy across the hall from me had a ramones album to learn with. i  had tried to play hawkwind's space ritual  and the alice cooper song book  on spanish guitar when about 16 years old I love the bass! because i am Earth mother!! maybe we could get into some earth roots rock mama stuff here--feel the force!
 
6)Punk threw up a lot of women musicians like yourself ..what did you make of bands like Siouxsie and The Slits ?? Do you think you were treated as equals  or a novelty ??? Do you think anything changed for women musicians thru punk ??
i remember throwing up on the pavement outside the Roxy. a friendly welsh guy in a spikey dog collar  crawled down on his hands and knees to lap it up and it was thick and lumpy..did i feel sick? there wernt that many female musicians around..it was tough i felt i had to be able to play harder and faster than a bloke to be accepted, taken seriously, it aint funny when ya have a couple of skineads gobbing atcha for target practise in an empty hall in farnham,surrey and the long haired sound man smirking one bloke even cut off the guitar strings to stop me from playing, that was when i was first learning i enjoyed all the bands it seemed like there were new ones with familiar faces every night. My favourite female was Polly Styrene i used to go see x-ray spex at the worlds end, chelsea everytime .The others mostly seemed too catty and aloof for me.like 6th form prefects with safe carefully styled/coloured salon hair and fetish fashion items .Nico was cooler! my favourite piece of chelsea girls(a dual screen warhol film i saw at the i.c.a. around that time) is her trimming her long blonde fringe with scissors ..it lasts for hours D.I.Y. Great! polly styrene had humour,irony, songs, made her own fabulous plastic tack, wore a german helmet and a brace on her teeth actually i used to run into chrissy Hynde alot back then(she was a model at st martins) i remember trying to dye her hair red instead of washing the chemicals out she just left it in ..how hard is that? .she recorded her first demo in ray burns (later captain sensible) living room he played drums on cardboard boxes no actually for those songs  she had fred and dave berk (from johnnie moped) on bass and drums I remember singing the chorus for 'precious'  with ray, a great song i thought and screamimg.My first recording..Chrissie just had IT whatever IT is she had and still has IT!  chrissie used to sing with the mopeds i particularly remember a gig at the roxy with stripey breton sailors tops and a pirate hats sometimes i would get up to sing backing on 'hardlovin man' all because of those sessions in rays parents living room in croydon o yes! later she nicked the nipple erectors drummer gerry maccleduff for the pretenders after she saw him at a gig we did. he played on 'stop your sobbing' .yes some women musicians definitely got richer but not that many. it gave more women a voice and the freedom to relax abit ,wear big boots if they feel like it and stop having to be 'the nice girl from next door '.
 
7)) Did you audition or were you invited to join any other bands ??? 
I have never auditioned for a band always preferring to start em from scratch usually with beginnerds
 
8) How did you come to join the Nipple Erectors  and who thought up that name !!! Obviously a name like that would kinda hinder your chances of airplay !!! Did the shortening down to the Nips help at all ? !!! The Nips didn't really play your standard punk fare. How did it end up sort of rockabilly and how did this go down with audiences ?? Worst gigs ...best gigs ??? 
I auditioned shane in my bedsit, he was iggy pop rolling and writhing around the floor totally manic.i thought yes this is our man a few years previously on t.v. i had seen Jobriath an american answer to david bowie . i think his head popped out of a segmented clear plastic globe ,very space age.i had a dream about a band- my dream band- who would look very futuristic wearing skintight rubber body suits covered in nipples..i shall go no further,well the name came from there i thought shortening the name to the nips was a cop out. we hung out (!) at rock on records listening to all kinds of old music we even used to dice with death and go visit the electric ballroom, camden  on ted's night to watch old rock n'roll veterans( a bit like the punk vets nowadays..) there was alot of agro between punks and teds..we mixed up the music.and then it all went a bit mod like and even poppy.. we had a loyal following which included bananarama and guns for hire a fictitious band with their own badges later to become department s one of my favourite gigs was at the music machine -with the jam ..i think..-i took some of my mums old frilly nylon nighties and dressed up the band .shane had a pair of giant frilly knickers on like a baby, myself?i was 8 months pregnant and wore a large black sheet a yashmak .at the time we had jon moss drumming he was too embarrassed to come out for the encore! one of the worst gigs was also at the music machine with dexys midnight runners, our guitarist gavin douglas failed to show up for the gig he had been arrested on the tube with no ticket and no money to buy one a previous guitarist larry hendrix was pissed as a fart on pernod and blackcurrants he only knew a very old set we no longer knew so he stood in.

 

9) Mr Shane was an interesting character. How did you come to meet him and what did you first make of him  ?? He seems a world apart from Siouxsie and people like that and its quite sad the state he is in now
I met him at the royal college of art .I saw him across the bar..( an omen)and thought whose that mad bastard on a mission those ears!..or a jam gig at ronnie scotts 1976 i believe..i had just travelled up from croydon with a new red minature toy bass that fred berk(johnnie moped bass player) had given me.he and ray burns explained the 'bassicks' so to speak and i enjoyed my first bass lesson -all the the the damned bass lines- on the top deck of the tedious 68 bus journey back into london. we went to ronnie scotts to see a very early jam gig they had been giving out flyers at rock on records in soho market that afternoon.the Jam,  very young,skinny and spotty in restrictive looking dark suits.I couldn't quite get it at the time .the music was very nostalgic i thought .later they were brilliant. ray thought it would be a great idea for me to pose around the club playing, then  bruce foxton broke his bass so i lent him my new toy
i still have a photo from that night. Me, ray, shane, claudio a.k.a. chaotic bass , adrian thrills and harry the sniffing glue photographer.well maybe he took it.Shane isn't sad so no one else oughta be i saw him this week in Eire playing a couple of gigs he was in great form and we enjoyed the crack!
 
10) As 76 turned into 77 and 78 how did you see punk changing  ie the personalities, the groups, the fans ??
Bleat ! bleat! grew my hair back n went all naturelle for a while and but realised if ya cant beat em  theres fuck all else goin on so may as well join em the daily mirror look alikes..alot of the individuality and initial excitement also humour disappeared and the sex pistols got snooty! everyone turned into a laddish clash type clone fan or even band all the original creativity had gone just listen to the music .it all looked violent
 
 
11) Looking back what was your best experience or the thing you enjoyed most during the punk years
12) Conversley what was the worst
THE BEST? i enjoyed so many happy times with my leetle punk chums..ah yes!
 
I always enjoyed the gigs the energy- live energy! the feeling that all things seemed possible ,self expression, a living artwork/sculpture /a statement,/ antifashion , anti whatever it took, create a different approach break away from the expected, things can change! anyone can pick up an instrument sometimes a blunt one and make a racket, not just a macho rock god with a triple album, be 'someone'  be who ya like,stand out from the crowd..well in the end everyone in the crowd became uniform, looked the bloody same used the same signs became anovver yoof cult etc....another labelled sanitised product another category etc blah.
 
THE WORST? ah yes.....

 

13) Both you and Shane were photographed a lot at places like the Roxy... what do you remember of the place , atmosphere the bands etc. 
There were no other -places like the early roxy..it was wild, full of spontenaiety, full of all sorts most of the audience were in bands or wished they were.stars were falling out of the ceiling yes it was tatty with plenty of mirrors. it was the first place i heard dub music too yes i can remember something about the Roxy infact i knew andy czowski from the damned days i having spontaneously booked their 2nd gig ( st albans art school) the day after i saw the 1st at the 100 club.( malcolm pulled the pistols out at the last minute due to poor attendance at their last st albans appearance- a student had just died of meningitus her friends were at the wake) so i remember how excited andy and sue (who used to give me free make up samples) were  at the prospect of their own club ,shane and i helped build the stage on the first night with generation x such a nice bunch of boys! when andy left the club changed
 
14) Both of you were obviously Pistols and Clash fans ?? What was it that these two bands had that made you attracted to them ?? What other bands did you like and who did you think were crap ?? 
I am/was a sex pistols fan, the clash never quite reached the parts that that the pistolas music and ambience entourage did..the sex pistols had the je ne sais pas  and the humour the clash did not..for me anyway i always felt vaguely suspicious of the clash maybe because i saw joe strummer shivering and sweating all over  in the 101ers the clash,definitely a lads band thru and thru , those stage poses,and judging by the 4th generation punk lads from portsmouth i met did like the first album with keith levine very much
 
 
15) When did you think sod punk I'm moving on and why ?? Talking to other people involved in the early punk scene like Marco Pirroni they seemed almost resentful when punk became more popular . Did you find this ??
I never was a punk  the name didn't exist i was an art student I got kicked out I played bass and then i was on the dole and then hey! lets get labelled P-U-N-K- sod PUNK..thats when it all stopped moving on ..when it got labelled
yes i used to know marco when he had a quiff -another very friendly guy of italian descent .- as for 'the scene' it twas an intimate affair that became public...and i am so resentful...bastards taking our scene away from us blah blah
 
16) How did the Nipple Erectors end and what did you do afterwards ?
the n.erectors never had a stable line up it was always me n him plus a variety of guitarist and even more drummers who would leave or disappear dramatically so there were plentyof break -ups ..in 1981 i decided to try and mix up my music, i was in love with cretan/ greek music.soo bored with 'rock' , we tried out a fiddle player. and a standup drummer (john hasler -madness-the man i was with at the time shane wanted to go more irish and i didnt want to join in  mainly because at the tender age of 19 shanes dad had intimidated me for many hours with Dubliners records in their smart tunbridge Wells living room.though one of the first songs we ever did in the nips was 'poor paddy works on the railway' I decided to concentrate on my baby daughter Sigrid, finding somewhere to live , that type of thing for a while.. joined up with cush and swill to form the men They could'nt hang later played with wreckless eric and a cast of millions
 
17) What do you think of the resurgence of interest in punk  ?
O yes.. a friend of mine Barnet late 30's runs a punk club in soho ,last week he said to me punk!. well you were tooo old to be a punk wernt you?!
 
18) Lastly what are you up to now.
dreaming castles in the sky o tell me why last year at the infamous central st martins school of art studying  writing an obituary trying to edit a film about a family trip to castles in estonia and sweden playing bass with Darryl Hunt (ex Pogues bass player) for his solo project 'BISH' apparently hypnotic.. sounding like a cross between the velvet underground and the byrds looking after my other daughter Eucalypta 8
 
 
19) Anything you want to add ?????
scooby scooby doo where are you?

 

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