James Stevenson

 Home >> Interviews >> James Stevenson 

 Chelsea 

"I still play and there has never been a time that has equalled that time in music for me. Not just music but the vibe, the excitement and just to be involved in rock'n'roll."

James Stevenson - Chelsea.

 
Here's an interview with James Stevenson who was in Chelsea from 77 to 80 during their golden period. Chelsea briefly reformed a while back for an American tour called Social Chaos where they played on a bill with The Vibrators, UK Subs, Beki Bondage and numerous others even getting a write up in the Sunday Express and there's going to be a video of the tour. They also had a six page spread in March 2000 Record Collector with an interview with Gene October. With all this going on their profile is probably higher now than when they were at their peak. Its interesting coz tho' they were there from the start they seem to get forgotten. I don't know why. I think the slowness of their recording output set them slightly apart from the times.

James you joined Chelsea in their third incarnation. Did you know about them already b4 ?
I was heavily into the punk scene and I knew this is what I wanted to do musically. I was 17 and doing my a levels but hanging out at The Roxy and seeing bands. I had been into the Dolls and was aware of the Ramones and got into the Sex Pistols and Clash...I wasn't that familiar with the new wave of bands like Chelsea and the Adverts. I answered an ad in Melody Maker and had been in bands at school but whereas I liked the Dolls, they liked Yes and Genesis !!!!! People forget that you didn't have to be a blinding musician and quite a lot of good musicians came out of punk. Its wrong to say you didn't have to play at all though !!!

Step Forward.. you didn't exactly release a lot of records. ? You didn't even get a colour picture sleeve till your third single !!! Did you think you could have done more ? Approached by majors ?
Soon as the Police started happening all the bands on Step Forward got neglected / forgotten about. Miles ( head of Step and manager of Police ) was also our manager which didn't help. A&M were once interested coz of Miles but maybe he wanted to keep some bands on his own label. It probably in hindsight wasn't the most ideal situation. Mark P of Sniffin' Glue was a scout for him/right hand a&R man chalk and cheese.

What was your press coverage like ....Music papers ?
At the time pissed off. We never got the credit we deserved. I'll stand by any of the records we made and I don't think they have dated that badly. The music papers at that time gave us an absolute hammering and we had few allies. I can remember when we were going up to a gig in Leeds and the hotel was raided and pulled out of our beds at 6 in the morning,. We though we'd mention it to the NME to get a bit in the gossip column. They wrote instead the police were probably trying to stop them playing !!! Its funny now but back then we were getting it all the time. Really nasty.

What was 'Right to work' about ....?
The song was misinterpreted. People though it was a socialist statement. It was actually an anti union statement. He had been trying to get into equity and acting and couldn't............. so it was the right to work without joining a union.

(I think that might have gone over a lot of peoples heads... especially adding I don't drink or smoke)

Best Chelsea song..?
Whole of the first album tho I'm not sure whether they suited Genes way of singing...like 'Trouble is the day' .Fantastic song but I'm not sure it was right for Gene. He was much better singing the harder songs like 'No Admission' and 'Urban Kids' .He Has a very distinctive and aggressive voice....Gene is a great singer. Rock singer.

Who wrote the tunes ?
Gene wrote some , the drummer wrote some ,myself,  the other guitarist . All of us.

Punk in London Video ?
Can't remember much. Shot at Alaska at Pat Colliers. I still haven't seen it.

Memories of the Roxy Club ?
Played 3 or 4 gigs played farewell gig in October 6th 1977 and then reformed 2 months later. Supported Wayne County. Roxy was absolutely brilliant... you felt like it was yours... that you really belonged there and was part of it. That people were just trying to get your money. It was your scene. I went spring 77 by the autumn it fizzled out. I remember walking out of there with my leather jacket and it felt dangerous with everything that was going on in the press at the time. People shouting at you getting thru about three fights on the way home. that added to the adrenalin. It was hysteria in the media.

What were the pitfalls of playing ie gobbing etc ?
I hated it. We were playing at Barbarellas in Birmingham. I walked onstage , hit the first chord and someone just pushed a tomato sauce bottle together and I was covered in Tomato sauce !!! All good fun.

What did you think of other bands ? How did you get on ?
There were so many bands appearing all the time. There were a lot of bands that just cropped up like The Depressions and I hated the Boomtown Rats. I fuckin' loathed Bob Geldof. All the bands kept to themselves there was a lot of clannishness. The Clash never hung out. We used to hang out with the UK Subs and Mick Rossi ( slaughter) Charlie used to cut my hair when he was a hairdresser in Tooting.. it was he who suggested I dye it black !!! There was a lot of kind antagonism between the groups.

On the Pistols...
Miles had an agency that booked the pistols. They were due to play and they just pulled out and Malcolm said the council had banned it. Total lies but no publicity is bad publicity.

Differences between playing North and south ?
In the summer of 77 I remember playing Falkirk and Barrow in Furness and there was a big punk scene so it had obviously caught on everywhere.

As '77 turned into '78 what were the differences ?
The whole thing dwindled out. It had happened by the end of 77. All the big bands had signed to majors and trod the path of rock'n'roll. The actual scene had died turned into a more corporate rock'n'roll. We supported The Clash and they were the best rock roll band on the planet. Their first album still sounds amazing. No matter what trend there is its still rock'n'roll. A band will make it because they are a great rock 'n' roll band. Whether punk or psychedelic. Mind you 80's synth music has dated badly but listen to punk music or guitar based music and it still holds up today. Live by the sword of technology... die by it.

Not tempted to make another Chelsea album ?
Chelsea is pigeonholed in that era and to make something new now would remove some of that mystique

On the Social Chaos tour...
One disaster after another. Makes Spinal Tap look like a teddy bears picnic. We drove 2000 mile between one gig Portland to Milwaukee.  Other guitarist Dave Martin had to come home half way thru, gigs got cancelled, we lost money.

How did you go down ?
At the end of a day Gene is a brilliant performer . He could really command an audience. He's a brilliant frontman. 

Final thoughts ?
I feel glad that I managed to play thru those year s and be in a band that was part of that experience. You will never see the like of that again. I still play and there has never been a time that has equaled that time in music for me. Not just music but the vibe the excitement just to be involved in rock'n'roll.

Still playing is a bit of an understatement. Involved in Gen X, Gene Loves Jezebel, The Cult ,reformed Chelsea ,Mike Peters, played on Tricky's first excellent album and working with Beki Bondage. What a lucky bastard and good luck to him !!!!! Pleasure to interview.

 Back To Top

 

 

i